30 Days Of Night (2007) movie review hollywood

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Think about vampires. Really think about them. What comes to mind? Some long-haired greaseball mincing about in a poet’s shirt and a big velvet cape, lurking in corners and seducing women with a suave accent and undead good looks, right?

Well, thankfully, there’s none of that boring Anne Rice garbage in 30 Days of Night, which seeks to reconcile the differences between angsty emo Anne Rice vampires and the grotesqueries of Nosferatu. These vampires are not pretty. They are not seductive. They’re brutish, ugly, nasty, cruel animals who relentlessly hunt and kill their prey in as brutal a manner as possible.

That’s not to say 30 Days of Night is going to break any new ground. No, it’s a fairly standard horror movie. People trapped in places, monsters everywhere, lots of screaming and shooting, people gushing blood. There’s an estranged couple, Sheriff Eben Oleson (Josh Hartnett, who uses both his facial expressions) and Fire Marshall Stella Oleson (Melissa George, who can’t stick with an accent for longer than a few lines). There’s a town full of interesting characters who are probably all going to die, including a gentle giant beefy loner Marlowe (Danny Huston, playing against type as a good guy for once).

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