Mirage (2018) hollywood movie reviews

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That Oriol Paulo is an expert fabricator of twisting, turning plotlines is well known to aficionados of Spanish cinema — as it is in China, where Paulo’s last, 2016’s The Invisible Guest, grossed an astonishing $50 million, making it Spain’s biggest offshore hit of the following year. Mirage, the head-spinning tale of a mother and child who are separated across time, delivers more of the same, with some time travel thrown riskily into the mix.

A rare Spanish incursion into sci-fi, Mirage has a great deal of satisfying complexity but little depth, and its dazzling, intricate machinery is always visible. But it still makes for a fun ride on a highly calibrated roller coaster. As has become customary, Mirage is likely to deliver its biggest box office rewards offshore.

It is 1989, at the time of the fall of the Berlin Wall, during a storm. Nico (Julio Bohigas), a kid who enjoys videoing himself playing songs on the guitar, hears noises from next door and investigates. On doing so, he finds the dead body of the wife of his neighbor Prieto (Javier Gutierrez), who’s standing over the body with a knife. Nico runs, but in doing so is hit by a truck and apparently killed.

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