Rk-Rkay 2021 movie reviews


You can either be sentimental or bitter about the movies, but you can rarely charm people by being both at once. Unfortunately, the people behind the Indian moviemaking comedy “RK/RKAY” took that risk, and wound up making a mawkish, inert fantasy about a filmmaker whose protagonist escapes his movie within the movie. Writer/director Rajat Kapoor stars as both RK, a past-his-prime filmmaker, and Mahboob, a guileless refugee from a 1950s-style melodrama. RK and Mahboob have a few heart-to-hearts and teach each other how to live better … in theory, at least.

In “RK/RKAY,” Kapoor often seems as tired and bemused as his popsicle protagonists, all of whom have opinions, but none of whom know what to do with them. I really wanted to root for “RK/RKAY”—it’s a real-life labor of love, having been crowdfunded for less than $500,000—but I can’t honestly recommend a movie whose creators’ acknowledged influences include “The Purple Rose of Cairo,” but whose tone-deaf dialogue and blasé filmmaking resemble “Hollywood Ending.”

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